Added Info ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 8
Advice on selecting a ground (acrylic gesso or lead oil primer) for painting in oils.
ARTIST'S MAGAZINE Feb 1998 (v.15#2) pg. 75
Advice compares thinning tube oil colors with refined linseed oil vs. using odorless mineral spirits.
ARTIST'S MAGAZINE Feb 1998 (v.15#2) pg. 75
Advice on the best binder for artist's oil paints.
ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 76
Advice on using Turpenoid Natural as a substitute for turpentine or mineral spirits when painting with oils.
ARTIST'S MAGAZINE Aug 1998 (v.15#8) pg. 68
The pros and cons of putting in-progress oil paintings and pallet in a freezer to keep them moist between painting sessions.
ARTIST'S MAGAZINE Jan 1999 (v.16#1) pg. 78
How to use water-mixable oils.
ARTIST'S MAGAZINE Feb 1999 (v.16#2) pg. 30
Advice on use of boiled linseed oil as an oil medium when mixed with turpentine or paint thinner.
ARTIST'S MAGAZINE Apr 1999 (v.16#4) pg. 41
Alizarin crimson. Its qualities and advice on its uses.
ARTIST'S MAGAZINE Nov 1999 (v.16#11) pg. 75
Choosing the right paint. A primer on the differences among the many brands of oil and acrylic paints.
DECORATIVE ARTIST'S WORKBOOK Mar-Apr 1993 (v.20#2) pg. 62
Differences, advantages and disadvantages of oils vs. acrylics.
DECORATIVE ARTIST'S WORKBOOK Sep-Oct 1993 (v.20#5) pg. 13
How to accelerate the drying time of oil paints.
DECORATIVE ARTIST'S WORKBOOK May-Jun 1996 (v.23#3) pg. 14
An explanation of the differences between Japan drier and cobalt drier.
DECORATIVE ARTIST'S WORKBOOK May-Jun 1998 (v.25#3) pg. 8
Tip on how to keep alkyd paints from drying out on the palette.
TOLE WORLD #102 Jan-Feb 1990 (v.14#1) pg. 23
Tips on a choice of thinners for artist's oil paints.
TOLE WORLD #107 Nov-Dec 1990 (v.14#6) pg. 61
Tips on using cobalt drier with oils to accelerate the drying time.
TOLE WORLD #110 May-Jun 1991 (v.15#3) pg. 32
Advice on thinning oil paints.
TOLE WORLD #114 Jan-Feb 1992 (v.16#1) pg. 51
Advice on how much drier to add to oil paints.
TOLE WORLD #114 Jan-Feb 1992 (v.16#1) pg. 51
Tip on mixing small quantities of oil paint by using a circle drawn on non-absorbent cardboard that is divided into segments proportional to the desired percentage of each color being mixed.
WOODCARVING #49 Jul-Aug 1999 pg. 56