Painting panoramas. Describes creating a photo panorama of the scene, composition that uses the selective focus technique of adding more detail in the middle ground and painting the scene in acrylics.
ARTIST'S MAGAZINE Feb 1990 (v.7#2) pg. 64
How to achieve controlled looseness in painting landscapes with acrylics.
ARTIST'S MAGAZINE Apr 1990 (v.7#4) pg. 47
Secrets of painting water reflections in either oils or acrylics. How to handle colors, values and shapes to make water look wet and reflections look real.
ARTIST'S MAGAZINE Jul 1990 (v.7#7) pg. 43
Night landscapes that sparkle. How to create bright lights and interesting shadows from a mixture of acrylic and casein.
ARTIST'S MAGAZINE Apr 1991 (v.8#4) pg. 45
Take your acrylics outdoors. A keep-it-simple, on-location painting and setup system.
ARTIST'S MAGAZINE Apr 1993 (v.10#4) pg. 56
Correction ARTIST'S MAGAZINE Jun 1993 (v.10#6) pg. 11
How to use texture to give acrylic landscapes an exaggerated light effect.
ARTIST'S MAGAZINE Jan 1996 (v.13#1) pg. 50
Painting landscapes on location using acrylic. Advice on using thin washes and refining the image.
ARTIST'S MAGAZINE Jul 1996 (v.13#7) pg. 64
Painting outdoors. Tips on picking the site, ways to organize and carry materials and advice on equipment for watercolorists, oil and acrylic painters.
ARTIST'S MAGAZINE Aug 1996 (v.13#8) pg. 34
Positive reflections on negative spaces. Acrylic landscapes with vibrant underpaintings emphasize negative shapes, either with reflected light or reflected images.
ARTIST'S MAGAZINE Feb 1997 (v.14#2) pg. 56
Color techniques for acrylic landscapes that create convincing depth and texture.
ARTIST'S MAGAZINE Feb 1999 (v.16#2) pg. 45
Apple Blossom Lane. A flowering spring landscape to paint on a heart-shaped wooden plate using acrylics and dry-brush techniques. Texture paste is used to create dimensional tree bark.
DECORATIVE ARTIST'S WORKBOOK Mar-Apr 1999 (v.26#2) pg. 54, Insert
Step-by-step instructions for painting cattails in acrylics.
DECORATIVE ARTIST'S WORKBOOK Oct 1999 (v.26#5) pg. 18, 46