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Detailed entries for one subject from the INDEX TO HOW TO DO IT INFORMATION.
Click on a see also (sa) or tracing (xx) to view detailed entries about a related subject.
The entries are in alphabetical order by magazine name and then in chronological sequence.
To obtain a copy of any magazine article contact your local public library or the publisher.

PHOTOGRAPHIC PRINT DEVELOPER
sa   PHOTOGRAPHIC PRINT DEVELOPER (COLOR)
xx   PHOTOCHEMISTRY
xx   PHOTOGRAPHIC PRINT PROCESSING

Two tone-enhancing paper-developing formulas. (1) Blue-black paper developer. (2) Charcoal black paper developer.
CAMERA & DARKROOM May 1991 (v.13#5) pg. 56

Advice on the addition of bromide or carbonate to enhance print developers.
CAMERA & DARKROOM Aug 1991 (v.13#8) pg. 56

Warm-tone developer formulas for use with cold-toned papers.
CAMERA & DARKROOM May 1992 (v.14#5) pg. 48

A grab bag of miscellaneous formulas and tips. (1) Ansco 103 paper developer for cold tones. (2) Cooper's two-solution pyro film developer. (3) Anti-fog formula for out-of-date papers.
CAMERA & DARKROOM Oct 1992 (v.14#10) pg. 58

Environmentally safer b&w developer formulas. Includes an equivalent for D-76 negative developer and D-72 Dektol-type paper developer.
CAMERA & DARKROOM Feb 1994 (v.16#2) pg. 56

Clark print developer formula plus tips on assessing various formulas for B&W chemistry.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1990 (v.11#2) pg. 12

Formulas for the Beers' two-part black-and-white paper developer which is mixed in various ratios for use (depending upon whether you want a low, medium or high-contrast developer).
DARKROOM & CREATIVE CAMERA TECHNIQUES Jan-Feb 1991 (v.12#1) pg. 14

Experimental design formula for black-and-white stabilization paper activator.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1991 (v.12#2) pg. 13

Formula and tips for using an amidol paper developer.
DARKROOM & CREATIVE CAMERA TECHNIQUES Mar-Apr 1993 (v.14#2) pg. 15
Added Info PHOTO TECHNIQUES Sep-Oct 1998 (v.19#5) pg. 22

Paper contrast control. There is more than one way to develop your prints. Using different B&W developers to change the contrast of the paper. Includes Dr.Beers two-solution formula and Farber's divided developer formula.
DARKROOM PHOTOGRAPHY Jan 1990 (v.12#1) pg. 16

Modify Kodalith Fineline developer to process old photographic paper and eliminate the high fog levels possible with standard developers.
DARKROOM PHOTOGRAPHY Jun 1990 (v.12#6) pg. 9

Split-stock universal developers for film and paper. (1) Muir universal soft-working formula. (2) Ansco 130 with phenidone substituted for metol. (3) Warm-tone paper developer designed as a substitute for the reducing agent chlorhydroquinone.
PHOTO TECHNIQUES Sep-Oct 1996 (v.17#5) pg. 54

Formulas for warm tone b&w paper developers containing glycine or chlorohydroquinone.
PHOTO TECHNIQUES Nov-Dec 1996 (v.17#6) pg. 12

Mixing your own chemical developers. Formulas included for Amidol paper developer, Leitz two-bath compensating film developer, Kodak D19b film developer, and sepia toner.
SHUTTERBUG #265 Oct 1992 (v.21#12) pg. 94

Amidol, the ultimate b&w paper developer. Formula for mixing and tips on using.
SHUTTERBUG #295 Apr 1995 (v.24#6) pg. 68

Paper developers. A general look at their formulations and tips on experimenting with various developers.
SHUTTERBUG #318 Mar 1997 (v.26#5) pg. 54