PORTRAIT DRAWING & PAINTING
sa FIGURE DRAWING & PAINTING (ART)
sa PORTRAIT DRAWING & PAINTING -- OIL PAINT
sa PORTRAIT DRAWING & PAINTING -- PASTEL
sa PORTRAIT DRAWING & PAINTING -- WATERCOLOR PAINT
xx DRAWING & PAINTING
xx FIGURE DRAWING & PAINTING (ART)
Tips on exploring a new point of view for portraits. Contrasts face front, three-quarter view, profile and some extreme views (from behind, above or below). ARTIST'S MAGAZINE Aug 1989 (v.6#8) pg. 14
The basics of believable portraits. A complete guide to facial features and how they're put together. ARTIST'S MAGAZINE Apr 1990 (v.7#4) pg. 73
A guide to skin tones. Color-mixing tips and techniques for the major groups of skin tones: light (white), dark (black), brown, yellow and red. ARTIST'S MAGAZINE Oct 1990 (v.7#10) pg. 12
How to create realism in the skin tones of airbrush portraits. ARTIST'S MAGAZINE Nov 1990 (v.7#11) pg. 88
Painting believable portraits by putting the right light value in the right place. ARTIST'S MAGAZINE Apr 1991 (v.8#4) pg. 50
Portraits with personality. Tips from award-winning artists on how to capture a likeness. ARTIST'S MAGAZINE Dec 1991 (v.8#12) pg. 42
How to paint portraits that bring historical figures to life. ARTIST'S MAGAZINE Feb 1993 (v.10#2) pg. 38
Brushing up on hair. How to render hair in a portrait. ARTIST'S MAGAZINE Mar 1993 (v.10#3) pg. 10
Perfect self-portraits. How to build a two-mirror device to see yourself accurately. ARTIST'S MAGAZINE Apr 1993 (v.10#4) pg. 62
How to make a living by painting portraits. ARTIST'S MAGAZINE Jun 1993 (v.10#6) pg. 52
How to paint convincing facial features. A step-by-step guide to airbrush rendering of the eyes, nose and mouth. ARTIST'S MAGAZINE Oct 1993 (v.10#10) pg. 44
Become a master of emotions. Ways to draw facial expressions. ARTIST'S MAGAZINE Nov 1993 (v.10#11) pg. 14
Making models into art. How six portrait artists turn ordinary people into memorable images of humanity. ARTIST'S MAGAZINE Dec 1993 (v.10#12) pg. 46
Three steps to polished portraits. A description of working with models, creating a preparatory drawing, transferring the drawing onto the canvas, laying in color and then refinining the work. ARTIST'S MAGAZINE Jun 1994 (v.11#6) pg. 58
Tips for painting portraits that capture the personality of the subject. ARTIST'S MAGAZINE Oct 1994 (v.11#10) pg. 31
How to stipple portraits done in pen and ink to achieve gradations of shadow and light that produce the illusion of form. ARTIST'S MAGAZINE Nov 1994 (v.11#11) pg. 10
The environmental portrait that puts the subject against a highly developed background. A look at two forms of perspective, linear and aerial, which can be used. Describes a step-by-step approach to developing the portrait and background. ARTIST'S MAGAZINE Dec 1994 (v.11#12) pg. 36
Portraiture in Conte crayon. Steps in the process described. ARTIST'S MAGAZINE Jun 1995 (v.12#6) pg. 53
Profiting from children's portraits. Strategies for getting commissions and pleasing clients. ARTIST'S MAGAZINE Oct 1995 (v.12#10) pg. 45
Create realism with bouncing light. How to simulate the effect of reflected light to soften shadows in portrait and still-life paintings. ARTIST'S MAGAZINE Jan 1996 (v.13#1) pg. 14
Using toned backgrounds when drawing portraits in charcoal. ARTIST'S MAGAZINE May 1996 (v.13#5) pg. 67
Scratching out an image. A description of how to use clay-coated hardboard ("Clayboard") for portraits. A variety of diluted-ink mixtures are used as washes, then scratched off to create textural effects. ARTIST'S MAGAZINE Aug 1996 (v.13#8) pg. 54
Drawing or painting a good portrait. Suggestions on the pose, building a likeness feature-by-feature, creating good fleshtones and unifying the painting. ARTIST'S MAGAZINE Sep 1996 (v.13#9) pg. 66
Paint like the Masters. Discovering the portrait painting approaches and techniques of American painter Robert Henri. ARTIST'S MAGAZINE May 1997 (v.14#5) pg. 64
Get it right the first time. Five steps to creating fast, fresh portraits in any medium. ARTIST'S MAGAZINE Jul 1997 (v.14#7) pg. 44
A technique for correcting values in charcoal drawings, especially portraits. ARTIST'S MAGAZINE Jan 1998 (v.15#1) pg. 82
Give your art the Midas touch. How to gild portraits with gold leaf. ARTIST'S MAGAZINE Feb 1998 (v.15#2) pg. 58
Expressing personality in portraiture through exaggerating light, color, proportions and brushwork. ARTIST'S MAGAZINE Mar 1998 (v.15#3) pg. 32
The complete guide to portraits. Three artists reveal their secrets for creating distinctive, evocative likenesses. (1) Getting "the pose" to establish the right feeling. (2) Drawing from the inside out, a guide to measuring the proportions of a subject's face. (3) How to create fabulous fleshtones. ARTIST'S MAGAZINE Apr 1998 (v.15#4) pg. 17
Build positive faces with negative spaces. Lessons in using negative shapes to capture an accurate likeness. ARTIST'S MAGAZINE May 1998 (v.15#5) pg. 26
Five keys to poignant portraits. Good drawing skills, a strong pose, effective lighting, bold values and eye-grabbing focal points discussed. ARTIST'S MAGAZINE Sep 1998 (v.15#9) pg. 54
Preparing for commission success. Steps to take to ensure client-pleasing portraits. ARTIST'S MAGAZINE Nov 1998 (v.15#11) pg. 33
How to energize figure paintings and portraits through the use of shape and color. ARTIST'S MAGAZINE Feb 1999 (v.16#2) pg. 24
Presenting your portrait portfolio. A guide to portfolio essentials and a commission contract. ARTIST'S MAGAZINE Feb 1999 (v.16#2) pg. 66
Capturing the life behind the likeness. Three portrait artists share their techniques. ARTIST'S MAGAZINE Apr 1999 (v.16#4) pg. 21
How to create a smooth, delicate blended effect in colored pencil portraits. ARTIST'S MAGAZINE May 1999 (v.16#5) pg. 62
Model in the mirror. How to hone drawing skills by posing for a self-portrait. ARTIST'S MAGAZINE Aug 1999 (v.16#8) pg. 16
How to paint a portrait. Advice on planning and working with color. TOLE WORLD #119 Nov-Dec 1992 (v.16#6) pg. 22
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