CLOTHING -- WOVEN
sa APRON -- WOVEN
sa BABY CLOTHES -- WOVEN
sa BATHROBE -- WOVEN
sa BED JACKET -- WOVEN
sa BELT -- WOVEN
sa BIB -- WOVEN
sa BLOUSE -- WOVEN
sa CAMISOLE -- WOVEN
sa CAPE -- WOVEN
sa CARDIGAN SWEATER -- WOVEN
sa CLOTHING (CHILD'S) -- WOVEN
sa COAT -- WOVEN
sa COLLAR & CUFF -- WOVEN
sa DRESS -- WOVEN
sa GLOVE -- WOVEN
sa HALTER -- WOVEN
sa HAT -- WOVEN
sa JACKET -- WOVEN
sa JUMPER -- WOVEN
sa KIMONO -- WOVEN
sa NECKTIE -- WOVEN
sa PINAFORE -- WOVEN
sa PONCHO -- WOVEN
sa RELIGIOUS VESTMENT -- WOVEN
sa SCARF -- WOVEN
sa SHAWL -- WOVEN
sa SHIRT -- WOVEN
sa SHORTS -- WOVEN
sa SKIRT -- WOVEN
sa SLACKS -- WOVEN
sa SLIPPER -- WOVEN
sa SMOCK -- WOVEN
sa STOCKING -- WOVEN
sa SUIT -- WOVEN
sa SWEATER -- WOVEN
sa TABARD -- WOVEN
sa TUNIC -- WOVEN
sa VEST -- WOVEN
sa WEDDING CLOTHING -- WOVEN
xx CLOTHING
xx WEAVING
Creating a fashion silhouette with handwoven cloth. How to use handwoven cloth and a commecial pattern to make loose-fitting contemporary clothing (coat, sweater, jacket, ...). COUNTRYSIDE & SMALL STOCK JOURNAL Jul-Aug 2002 (v.86#4) pg. 93
A guide to edges, joins, trims, embellishments, hems and closures for handwoven clothing. HANDWOVEN Nov 1981 (v.2#5) pg. 42
Help for the handweaver in designing, weaving, sewing, and tailoring custom clothes. HANDWOVEN Mar 1982 (v.3#2) pg. 30
Sewing tips and techniques for making garments from good handwoven cloth. HANDWOVEN Jan-Feb 1983 (v.4#1) pg. 38
How to weave your own bindings, edgings and trims on a floor loom. Instructions included for thirteen different patterns. HANDWOVEN Sep-Oct 1983 (v.4#4) pg. 34
Finish your work. How carefully applied knit elements can save loom-shaped garments from a "homemade" look. HANDWOVEN Jan-Feb 1984 (v.5#1) pg. 54
Designing the fabric and the cut of a woven garment. HANDWOVEN Nov-Dec 1986 (v.7#5) pg. 26
Sewing what you weave. Hints to ensure successful sewing. Covers planning the garment, using linings, underlings and interfacings, cutting the fabric, how to prevent stretching and raveling after cutting, and seaming and finishing. HANDWOVEN Nov-Dec 1986 (v.7#5) pg. 47
Fabric for a woman's bomber-style jacket is woven in crackle and overshot. A commercial pattern was used for the jacket, but the article does describe how to consider the shape of a garment when selecting an appropriate weave structure and yarns. HANDWOVEN Nov-Dec 1988 (v.9#5) pg. 50, 80
Using separately woven bands in the design of handwoven garments. HANDWOVEN Sep-Oct 1989 (v.10#4) pg. 34
Knitted finishes. Part 1. Attaching knitting to handwoven clothing. HANDWOVEN Sep-Oct 1990 (v.11#4) pg. 41
How to attach knitting to handwoven clothing. Describes attaching stockinette edging, garter-stitch edgine, stockinette edge with a turned hem, seed-stitch edging, idiot cord, stockinette binding, folded binding and knitted bias tape. HANDWOVEN May-Jun 1991 (v.12#3) pg. 63
A guide for beginning weavers on how to plan a clothing project. Covers yarn selection, pattern selection and layout, and the weaving of a sample. HANDWOVEN Jan-Feb 1994 (v.15#1) pg. 16
Advice on combining handwoven and commercial fabrics when sewing clothing. HANDWOVEN Mar-Apr 1994 (v.15#2) pg. 52
An explanation of the Theo Moorman inlay technique. Advice on using it for creating one-of-a-kind clothing. HANDWOVEN May-Jun 1994 (v.15#3) pg. 37
Modern interpretations of ethnic garments. Analysis of ways to change design. SHUTTLE, SPINDLE & DYEPOT #34 Spring 1978 (v.9#2) pg. 28
Overshot overlay for ethnic clothing. SHUTTLE, SPINDLE & DYEPOT #35 Summer 1978 (v.9#3) pg. 88
Designing handwoven clothing. Covers fiber choice, yarn structures, weave structure and finishing. Includes diagrams for a caftan and two styles of halter dresses. SHUTTLE, SPINDLE & DYEPOT #37 Winter 1978 (v.10#1) pg. 88
Seattle Weavers Guild garment designs. Part 1. Includes chart of standard ease for garments. Drawings show how to fit shoulders, sleeves, underarms, and crotch. How to add fullness at waist, hip, thigh and bustline. SHUTTLE, SPINDLE & DYEPOT #39 Summer 1979 (v.10#3) pg. 26
Seattle Weavers Guild garment designs. Part 2. Covers fitting necklines, hoods and collars, neckline ideas for capes and coats, hood ideas for capes and coats, and how to incorporate pockets. SHUTTLE, SPINDLE & DYEPOT #40 Fall 1979 (v.10#4) pg. 71
Seattle Guild garment designs. Part 3. Skirts and pants. Covers fabric considerations, waistlines, hem treatments and ethnic designs that provide sufficient ease for leg movement. SHUTTLE, SPINDLE & DYEPOT #41 Winter 1979 (v.11#1) pg. 20
Seattle Weavers Guild garments design. Part 4. Edges, closures, capes and dresses. SHUTTLE, SPINDLE & DYEPOT #42 Spring 1980 (v.11#2) pg. 39
A beginner's guide to finishing handwoven garments. SHUTTLE, SPINDLE & DYEPOT #48 Fall 1981 (v.12#4) pg. 40
Fabric for clothing. Suggestions for the use of fine cotton and silk in e.p.i. settings of less than 30. SHUTTLE, SPINDLE & DYEPOT #51 Summer 1982 (v.13#3) pg. 52
Pat White's design process in weaving clothing. SHUTTLE, SPINDLE & DYEPOT #51 Summer 1982 (v.13#3) pg. 58
Moorman inspired clothing. The use of ground and tie down threads to create reversible garments. SHUTTLE, SPINDLE & DYEPOT #53 Winter 1982 (v.14#1) pg. 35
Sewing handwovens. Techniques for shaping and finishing garments. Covers pretesting and preshrinking handwoven fabric, laying out tissue pattern, lining, interfacing, sewing, pressing and finishing. THREADS #2 Dec 1985-Jan 1986 pg. 20
How to combine woven and knitted fabric in a single garment. Describes selecting and adapting commercial patterns, and knitting from a paper pattern. Insert describes finishing techniques. THREADS #26 Dec 1989-Jan 1990 pg. 64
Added Info THREADS #26 Dec 1989-Jan 1990 pg. 4
Tips on selecting a sewing pattern for use with handwoven fabric. WEAVER'S JOURNAL #19 Winter 1981 (v.5#3) pg. 6
Weaving the fabric for an 18th century Mollie costume. Costume consists of 2 linsey-woolsey petticoats, linen apron and kerchief, felt hat, linen chemise and waistcoat. WEAVER'S JOURNAL #23 Winter 1981-82 (v.6#3) pg. 38
The owners of Cylaine Handwoven Designs describe the weaving of fabric and sewing of one-of-a-kind garments. WEAVER'S JOURNAL #27 Winter 1982-83 (v.7#3) pg. 8
Tips on crochet finishes for handwoven garments. WEAVER'S JOURNAL #27 Winter 1982-83 (v.7#3) pg. 18
How to combine crocheting and handweaving into a single garment. WEAVER'S JOURNAL #27 Winter 1982-83 (v.7#3) pg. 19
Using inkle bands as finishing details on handwoven garments. WEAVER'S JOURNAL #27 Winter 1982-83 (v.7#3) pg. 35
How to apply the pulled warp technique to loom-shaped clothing. WEAVER'S JOURNAL #35 Winter 1985 (v.9#3) pg. 34
|